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The MediaNXS Advantage
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MediaNXS software provides a bridge between the digital intermediate world and the real world.
Capture from SDI/HD-SDI, batch capture from VTR, and import from almost any file format. Build timelines and output multiple versions to tape or industry standard media files. Monitor and analyze input signals or digital files and convert/transcode between all your digital intermediate tools.
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Industry Standard Formats
MediaNXS creates standard, non-proprietary file types indistinguishable from those created on native hardware.
Directly capture DPX, YUV, Cineon, MOV, AVI, MXF, TGA, TIFF and DV files in compressed and uncompressed SD, HD and 2K.
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It's Supported
All signal and file formats are supported with the same version. SD, HD, Digital Cinema and 2K Film all from one interface.
Automatic 8 and 10 bit RGB and YCbCr conversions where necessary, and broadcast quality up, down and cross-conversions are included.
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MediaNXS For Your Facility
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Batch Control External VTRs In and Out
MediaNXS controls external VTRs for frame accurate EDL based pull-ins and multiclip timeline based laybacks.
Automatically create timelines through EDL batch capture. Exchange and edit timeline components for multiple distributables. Lay back the timeline in one pass and export a matching EDL.
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Signal Analysis and Measurement
Built into MediaNXS are preview, vectorscope, waveform (YCbCr/RGB) and histogram monitors. Single link or dual link (hardware-dependent), RGB or YCbCr and file monitoring are supported.
Monitor black and white levels, luminance, chrominance, with alarms. Also view both chroma and luma using Drastic’s vectorscope and exclusive “Luma Stick”!
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Application Compatibility and Conversion
MediaNXS not only provides physical I/O, it also provides transcoding between your digital intermediary software. Direct support for Smoke/Flame, Assimilate Scratch, Nuke, Final Cut Pro, Avid editors, Premiere Pro, Digital Fusion, After Effects, Shake, Motion, Combustion and many more.
MediaNXS files, both compressed and uncompressed, are supported directly by these applications. This means no extra steps in moving media between your software and the real world.
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MediaNXS Requirements and Specifications
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MediaNXS Minimum Requirements
Windows OS, 100 megabytes available on program drive, 1280x1024 NVidia 6x00 or better (or equivalent ATI/Intel/Matrox), 1 Gigabyte RAM, 2.0 GHz processor (Quad 3.0 GHz for DVHD/MPEG2-100), RAID storage for uncompressed (local or network storage for compressed playback). Network connection required for SyncControl (optional).
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Uncompressed Format Support
MOV 8/10 bit YCbCr, 4:2:0 YCbCr, 10 bit lin/log RGB
AVI 8/10 bit YCbCr
YUV/422/v210 8/10 bit YCbCr
TGA RGBA 8 bit, RGB 8 bit
TIFF RGBA 8 bit, RGB 8 bit
CIN 10 bit lin/log RGB
DPX 10 bit lin/log RGB
MXF Uncompressed
WAV 16/20/24/32 bits
AIFF 16/20/24/32 bits
Compressed Format Support
MOV Final Cut Pro IMX,
MOV DV25/50/100/HD
AVI DV25/50/100/HD
MXF Sony XDCAM, Avid IMX
MXF MXF XDCAM HD (read only)
MXF P2 DV25/50/100/HD
DV/DIF DV25/50/100/DVHD
HDV MPEG-2 (read only)
MPEG MPEG-1, MPEG-2 (read only)
MPEG-4/264 selected (read only)
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MediaNXS Specifications
Single Channel per system supported
Video standards - (SD) 8/10 bit NTSC/525, PAL/625, single or dual link (HD) 8/10 bit 720, 1080, single or dual link (2K) 2048 (hardware-dependent)
Audio - up to 16 embedded audio (SD/HD), 8 AES/EBU audio channels (hardware-dependent)
Display - Onscreen VGA/DVI, video board output
Clip Management - (record, add, play, trim, remove/delete)
Timeline - sequenced editable signal and file output
EDL - automatic creation, fully editable, save as various EDL types
Project Files - maintain settings and custom media pools
Control External VTR - RS-422, RP-215, RP-188, LTC (SD/HD), VITC, D-VITC
Protocol - Sony serial RS-422 (VTR)
Status - Audio/Video, system, metadata, status and error reporting/display
Optional SyncControl for on-set recording
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